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The clock of the castle

this picture is from here

watch yes watch it? The reference is to the debate on the structure located at the entrance of the castle of Este: the big clock signed Vignelli, Piva wanted by the front of the monument a symbol of our city.

Personally I would have avoided this place where today we can all see, but the topic is as good a speech as articulated.

The sculpture is part of an overall plan, which involves placing a series of ceramic works in various parts of the city, to witness the tradition of visual art - historical - for excellence in craftsmanship Este. This is the first aspect of the story. Among other things, this general design is shared by me.

The second is the beauty of the work itself. On this front, the taste and personal feelings matter a lot. You can gloss if you like one or the other, it is more or less beautiful, we can try to argue why, but on balance we always talk and just personal taste.

The third and final aspect is the location of this artifact and the impact that this shows. In this case, playing both parts and personal (just for the taste and opinion on the work) and objective components. The juxtaposition of contemporary art and antiquities has always generated much discussion and perhaps in this one achieves its objectives: it is spoken. In many cases, these discussions have led to the displacement of the work elsewhere, others have left everything in its place. But the debate has always been essential not only for the reason that art itself is discussed (otherwise it would not be art).

why I am convinced that it is to censor the stance Elisa Bussi, councilor at high altitude in the PRC communist junta Piva: once lost a valuable opportunity to keep quiet or to say something intelligent. Mrs. Buss has not understood that the object the debate is not just the work itself and its location, but what pertains to all this, or tourism promotion and image of the City . For this reason, talk about what is good and smart and careful administrator would know benefit from discussions of this kind, which touch the personal feelings of those who care about their city. Store all saying, how does Mrs. Buss, there are more important things to think about and that for its part, everything must remain where it is, in fact results in a angry stance that benefits no one It would have been far more wise to have said that his work is beautiful and the taste in that position finds its full development but, despite this opinion, took into account the different views that are emerging among the citizens.
I'd love you to come back everyone to reflect on a fundamental concept, which is what the City as a common good and collective , of \u200b\u200bwhich each is called to care for and that all legitimate right to express a thought, maybe discordant by the government of the time .

I close with a quick word about city politics in tourism. Tourism, economy and trade go hand in hand today: reality for civil and urban areas where it lacks a strong industrial component, it is essential to benefit from the wealth of art and landscape if available. In this sense, Este is a really lucky not only for the art it contains, but also for its neighboring and surrounding area and the general context in which the territory is located. The sad point is that it can not sell Este, he can not promote your image with all that this action includes : because the economic benefits are obvious, both as a general tourist volume, both for local trade. Piva The junta has largely failed in this: the events themselves may not be a tourism policy.

add, and really close, ceramic works that place around the city has a beautiful meaning, already tested in dozens of other realities, but we must not forget that the company is suffering from a ceramic Este structural crisis of enormous scope, that some are actually relocating abroad, that other family are now coming to the sale or closure. Ceramics Este needs initiatives like this but also interventions that support their economic viability and commercial.